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    • Acquisition of a drawing by Hendrick Goltzius
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    • Stijn Alsteens appointed as director of the Fondation Custodia
    • Christelle Téa à la Fondation Custodia
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    • In loving memory of Ger Luijten
    • Donation of a painting by François Bonvin and a watercolour by Henry Monnier
    • Margaret Lemon
    • Acquisitions Display
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    • Drawings of Rembrandt and his circle published in the Collection Online
    • The Bacler d’Albe dossier
    • Frans Pannekoek Graphic Art (1959–2017)
    • The Flandrins in the Fondation Custodia
    • Fondation Custodia acquires a View of Rome by Degas
    • Acquisitions Display
    • Recently discovered letters from Édouard Manet to his friend Félix Bracquemond
    • Renovation works in the courtyard
    • Restoration of the collectors’ albums at the Fondation Custodia
    • Renovation of Hôtel Turgot
    • Recent acquisitions (2012–20) at the Fondation Custodia
    • Two sketches with views of the rooftops of Paris
    • Frits Lugt (1884-1970)
    • Collection Online
    • Looking for Paintings by Jacobus Vrel
    • Preserved in the Memory of Ger Luijten
    • The painter Jan van de Cappelle re-united with his wife at the Fondation
    • Artist’s letters recently acquired
    • Gift of a Painting by Hendrik Schepper
    • Joyce Zelen appointed as the first Jacoba Lugt-Klever Fellow
fr · en FONDATION CUSTODIA – COLLECTION FRITS LUGT
Home Collection Presentation Antique Frames
  • Above: Frits Lugt’s sitting room in his Amsterdam house, c. 1911-1916
    Below: Exhibition Rembrandt and his School, Institut Néerlandais, 1957

    Frits Lugt used to keep most of his drawings in albums and portfolios, in the eighteenth-century manner. A small number were hung in the rooms of his various houses, as can be seen in the archive photographs. The drawings were presented in the antique frames of which he was a keen collector. He was of the opinion that genuine frames in appropriate styles were indispensable to the full appreciation of works of art.

    In 1957 he organised, at the recently-established Institut Néerlandais in Paris, his first exhibition of drawings by Rembrandt and his school, in antique frames.

    Above: Frits Lugt’s sitting room in his Amsterdam house, c. 1911-1916
    Below: Exhibition Rembrandt and his School, Institut Néerlandais, 1957
  • Frame of the type known as a cassetta, ebony, Netherlands, seventeenth-century, inv. 2830 framing a drawing by Rembrandt,
    The grain mill “De Bok” on the bulwark « Het Blauwhoofd »,
    pen and brown ink, brown wash
    inv. 5174

    In 2011, the exhibition Rembrandt and his Circle offered the chance to display the Fondation Custodia’s drawings in antique frames once again (see the publication Framing Rembrandt and his Circle).

    Frame of the type known as a cassetta, ebony, Netherlands, seventeenth-century, inv. 2830 framing a drawing by Rembrandt,
    The grain mill “De Bok” on the bulwark « Het Blauwhoofd »,
    pen and brown ink, brown wash
    inv. 5174
  • Tabernacle frame, sixteenth-century, France or Italy, of the François Clouet type
    Darkened wood and gilding, turned columns, marble and mother-of-pearl
    inv. 759

    Today, the collection comprises around 700 frames (not in permanent use) of different periods, from the sixteenth to the nineteenth centuries and from various European countries. This collection is currently divided in three principal groups, corresponding to the schools to which the drawings belong: Italian, French and Low Countries frames. The Italian frames in the Frits Lugt collection are particularly remarkable.

    Tabernacle frame, sixteenth-century, France or Italy, of the François Clouet type
    Darkened wood and gilding, turned columns, marble and mother-of-pearl
    inv. 759
  • Arrangement of the frame’s storage

    One of the larger projects carried out since 2010 was the reorganisation of the antique frame storage, now completed (see E-newsletter n° 6, January 2014, p. 15). This followed the evaluation of the state of conservation of the whole collection and its inventory in a database. The new presentation of the frames on racks and in drawers makes access easy.

    Arrangement of the frame’s storage